Born in 1991 in Toronto, Canada, Shantel Miller lives and works in Boston, Massachusetts.

Miller is a storyteller. As the daughter of Jamaican ministers who immigrated to Canada, she takes viewers on an intimate and spiritual journey, shedding light on representations of race, gender, and belief systems. As she documents everyday life and shares with us her ordinary surroundings, her re-imagined spaces specifically depict moments of black life. With oil paints and delicate details, she questions authority, existence, and contemplates what it means to be human. As we enter her meditative space, we find ourselves engaged in a conversation about both the beauties and the limitations of our contemporary visual culture.

Shantel Miller

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What Have You Done?

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Born in 1995 in Birmingham, England, Molly Kent lives and works in Edinburgh, Scotland.

Through the traditional medium of rug tufting, Kent reflects on her doubts as a young individual living in an internet-driven digital world consumed by both technology and epidemics. Moving beyond the craft that traditionally bears a domestic and ornamental quality, Kent creates objects that awaken our senses and challenge our perception while alluding to the struggles one can have with mental health. Her rugs often take on organic shapes, while her colors and patterns are intrinsically inherent to the aesthetics of glitch art. Inspired by unexpected blasts of pixelated jagged lines that sometimes appear on digital screens, she applies these visual glitches to her weaves. The sense of discomfort that she intentionally creates is sometimes reinforced by her use of disruptive and ambiguous words, delicately interwoven in the fiber. The softness and malleability of her objects come to act as a cushion to the doubts and emotional fatigue that have taken over herself and her generation.

Molly Kent

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Born in 1981 in Jacmel, Haiti, Jesse Aridoux lives and works in Queens, New York.

A multidisciplinary artist, web, and graphic designer by training, Aridoux tackles various mediums in his body of work. From drawings to paintings, photography to design, his works reflect on the history of surrealism, abstraction, and classical painting while hinting at the notion of identity and existence. With drawings from his Tessonism series, Aridoux crumples the paper as a way to symbolize deconstruction before unfolding and drawing in each crease, sewing the work back together with graphite, in an act of healing. The process reminds us of the Surrealist’s signature method called ‘Exquisite Cadaver’, with the exception that Aridoux acts intentionally and alone. With his paintings, Aridoux subtly blurs the lines between figuration and the hint at contemporary history often tainted with oppression, injustice, and inequality.

Jesse Aridoux

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