Born in Orwell's futuristic year of 1984, Marie Rosen is a Belgian artist based in Brussels, where her artistic journey began after graduating from the esteemed La Cambre art school. Deeply rooted in Belgian artistic traditions, her works draw inspiration from Flemish Primitive painters and the Surrealist movement. Painted on wood, copper, and paper, Rosen’s works capture a sense of estranged intimacy, as they depict the everyday world through a lens that feels both familiar and uncanny. Her paintings evoke the intriguing quality of ex-voto works, blending intricate geometric patterns inspired by the Art Deco interiors of her native city and the mid-century architecture of California. Though her scenes may appear to depict familiar moments, there is an inherent ambiguity—the viewer is never quite sure of what is happening, but is instead enveloped in a surreal atmosphere that speaks to the human experience. Rosen’s work transports us to a world that feels strangely known, yet undeniably enigmatic. Her works are held in prominent private collections across Europe and institutional collections within Belgium. 

Marie Rosen

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Born in 1977 in Helsinki, Finland, Elina Salminen lives and works in Brussels, Belgium.

Salminen’s works are hybrid. They are both paintings and objects, sculptures and installations, light and shadow, floating and barely palpable, yet we are drawn to unveil what lies behind them or else, within the color itself. Salminen surprises us as viewers and we question what we see. Her works play with space and time, they move beyond the surface and reflect on her fascination with color as an intangible source of light. With her paintings, Salminen delicately applies monochromatic hues on edges and corners, then covers the emptiness with translucent materials such as cloth or glass. There is no paint on the surface of the painting, only a reflection of the color that hides behind. Utterly romantic, her works engage us in a conversation about protection and warmth. They are abstracted minimalist compositions that entail infinite meanings, each altered with time and space.

Elina Salminen

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A Window

Born in 1993 in Lisbon, Portugal, Pedro Ruxa lives and works in Brussels, Belgium.

Ruxa is enamored with painting and inspired by words. It is through painting, but also through objects and bits and pieces of poems that Ruxa attempts to communicate with his senses and sensibility. His works create an intimate dialogue, be it actually between himself and the paint, or us and the words. Through a reconstructed language that is his own, shapes, colors, letters, and sentences become his subject matter. Ruxa constantly creates ever-changing clouds of words and imagery and sticks them on his studio walls, making them the starting point to his oeuvre. Yet, he simultaneously explores the restraints of this same language: what is happening before or after what we see? The more Ruxa tends to take control over his words, his sight, and his emotions, the more he is unable to contain it within the realm of comprehension. But all this is exactly at the core of his aesthetic language and it is undeniably touching, both visually and emotionally.

Pedro Ruxa

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Emotional Color Wheel

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Drawing

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Born in 1992 in Seattle, Washington, Brandon Elijah Johnson lives and works in Brooklyn, New York.

As we step into Johnson's world, somewhere between imagination and reality, we become a part of his visual diary. A collector of images, from photographs found on the internet to snapshots taken with his phone, Johnson reinterprets familiar ordinary scenes in his paintings and drawings, perhaps in an attempt to freeze a moment in time. He takes reference images from his direct environment and intentionally - or not - offers a representative picture of today’s world. His vivid compositions draw from pop culture, embrace pastiche, and remain attached to the here and now. As part of a generation willingly returning to figurative painting, Johnson moves away from pure representation, at times infusing a touch of playfulness, and distancing himself from painterly conventions. Between fiction and documentary reality, Johnson’s works reveal a part of our collective memory.

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Emotional Color Wheel

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Not How I Left It

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